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    <loc>https://textileconservation.co.nz/home</loc>
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    <lastmod>2019-11-26</lastmod>
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      <image:title>Aotearoa Textile Conservation: Textile Conservation services in New Zealand</image:title>
      <image:caption>Case Studies &gt; Embroidery Sampler</image:caption>
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    <loc>https://textileconservation.co.nz/story</loc>
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    <lastmod>2020-06-08</lastmod>
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      <image:title>Story</image:title>
      <image:caption>Kate Blair, textile conservator in New Zealand</image:caption>
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      <image:title>Story</image:title>
      <image:caption>Kate Blair, textile conservator working on Maori pokinikini (harakeke, New Zealand flax, Phormium Tenax)</image:caption>
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    <loc>https://textileconservation.co.nz/services</loc>
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    <lastmod>2020-07-28</lastmod>
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      <image:title>Services</image:title>
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    <loc>https://textileconservation.co.nz/sampler</loc>
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    <lastmod>2020-01-28</lastmod>
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      <image:title>Embroidery Sampler - Damage and rusty tacks on 19th Century embroidery sampler</image:title>
      <image:caption>Extra tacks were put in where textile previously tore. The rust shows that this was a long time ago.</image:caption>
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      <image:title>Embroidery Sampler - Conservation stitching on 19th Century embroidery sampler</image:title>
      <image:caption>After conservation stitching with a support patch. The sampler was re-mounted on a padded, fabric-covered board to fit the original frame.</image:caption>
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      <image:title>Embroidery Sampler - Dirty Water</image:title>
      <image:caption>Water collected after each stage of wet cleaning.</image:caption>
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      <image:title>Embroidery Sampler - 19th Century embroidery sampler after conservation</image:title>
      <image:caption>Sampler after treatment and re-mounting. Textile is cleaner and brighter, and the long-term preservation has been improved.</image:caption>
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    <image:image>
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      <image:title>Embroidery Sampler - 19th Century embroidery sampler after conservation</image:title>
      <image:caption>Textile is cleaner and brighter after treatment.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Embroidery Sampler - 19th Century embroidery sampler before conservation</image:title>
      <image:caption>Significant grey particulate soiling and yellowed ground textile.</image:caption>
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    <image:image>
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      <image:title>Embroidery Sampler - Stabilised Damage</image:title>
      <image:caption>Cotton support material and conservation stitching stabilise this damaged edge.</image:caption>
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      <image:title>Embroidery Sampler - After Conservation, Back</image:title>
      <image:caption>Custom-dyed support patches on the back where weak areas of the textile have been stabilised with stitching.</image:caption>
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    <image:image>
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      <image:title>Embroidery Sampler - Hole</image:title>
      <image:caption>Hole and surrounding weak textile before conservation treatment. Fibres were weakened from light damage and tension from mounting.</image:caption>
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    <image:image>
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      <image:title>Embroidery Sampler - Rusty Tacks</image:title>
      <image:caption>Rusty tacks during removal. Stained, damaged textile present around tack holes.</image:caption>
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    <loc>https://textileconservation.co.nz/contact</loc>
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    <lastmod>2019-11-04</lastmod>
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    <lastmod>2019-11-27</lastmod>
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